Narrative
qualitative research is both simple and complex. There is poetry that is perhaps absent in
other qualitative research. The “circle”
(Creswell, 2007) of activities both relates to and goes beyond the
process. In the narrative, one needs
only one, maybe more, individuals to study.
In this way the research reminds me of single subject research which
follows the familiar rhythm of introduction, literature review, methodology,
data analysis, results, and recommendations for further study.
Narrative
research might involve a chronological sequence; there might be a more holistic
theme, with wandering back and forth in time.
Indeed, those versed in narrative rather encourage experimental
structures, and monitor development. You
might want to take the narrative for a walk in the park and just groove,
right? Then the serious work of research
begins, whatever the approach chosen.
There is the issue of reflexivity and representation. The audience and voice of the author must be
considered. There are endless transpositions
of test, complex encoding, quotations.
Lest the eager and excited young researcher thinks he still has it made,
he must step back and examine the structure, the narrative techniques and
devices that are used to bring the deserving person’s story to light. The researcher might prefer as rhetorical
structure a flexible process that changes with the story, while the
phenomenologist plods along with the traditional modes of a research report.
Phenomenological
research has its own built-in structure of flexibility and creativity. There are important meanings to be
discovered. The study develops itself . The researcher guides it through to discover
meaning in text and structure to search for the essential quality to report. The organization of the report, unlike
narrative or single study, includes in the very beginning statements of
introduction a personal statement by the author. Why was he drawn to this realm (please do not
make me say topic!). How may he benefit
society by his work? One feels during
the study of AIDS that there is a marvelously human statement being made, just
as during the narrative of Vonnie Lee, the sensitivity and caring of the
researcher is quite obvious. The
phenomenologist then proceeds to a traditional review of literature, methods,
data analysis, summary, and recommendations for future studies, following along
closely to the steps of data analysis.
The narrative researcher’s discussions and structures are applicable no
matter the approach. Is one more structured
than the other? It might appear to be
so, but careful analyses are present in both.
My reaction
to the study about AIDS patients was intense.
I lost one of my friends to AIDS before there was even a word for the
disease. He had just received his Ph. D.
in psychology. He wanted to help
others. On a long walk in the Hollywood
Hills one hazy early evening, he confided that he probably had the immune
deficiency disease that everyone was talking about. He did.
They just kept dying: it seemed
the best, proudest, and most genius of the art and performance world,
gone. My final thought was: I would so very dearly loved to have them a
little while longer. But we are all
dying, after all.
I completely agree with you. In a narrative study you are able to capture a person pat, present, and what they believe to be the future. In the phenomenological study people usually comment about how they feel in the present.
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